Search Results: "coleman"

15 July 2010

Biella Coleman: A User s Guide to Lulzy Media, the Pleasure of Trickery, and the Politics of Spectacle: From the Luddities to Anonymous

One of my favorite conferences is HOPE, which I have missed the last 2 times as I was away from NYC, so I am glad I am around this year. I find it especially valuable when there is some controversy brewing in the air, as there is with Wikileaks, Adrian Lamo, and Manning. I am also giving a talk, description below, with a fabulous postdoctoral researcher, Finn Brunton, who works on spam! But we will be talking about pleasure, trickery, and exploitable media for activists. Our talk is late, like really late: 11:00 PM on Saturday night. At first I was a bit annoyed at the scheduling but then I figured, when will i ever give a talk at 11:00 PM?
Following a brief lecture on Project Chanology, the question will be posed: how can we harness the power of lulzy virality, of pleasure, of trickery, of spectacular trolling for purposes above and beyond sharing the wisdom of Advice Dog? It ll start with a brief look at great activist media in the past, from Guernica and the picture of the whole Earth to projects by the Yes Men - how they spread ideas and helped people get informed, organize, and act. What makes the creation of lulzy memes different? Learn about how to create exploitable forms and rapid variations, and mechanisms for bringing the best stuff forward. Can we make media memes with goals beyond lulz, and teach activists who ve never heard of 4chan to make them too? Part lecture, part workshop, this will feature cameos by Rageguy, Pablo Picasso, V, alt.pave.the.earth, Kathe Kollwitz, Courage Wolf, Stewart Brand, Sarah Palin, Batman, Goya, Philosoraptor, Adolf Hitler, Trollface, Shepard Fairey, Joseph Ducreux, David Cameron, lots of Spartan warriors, and lots and lots of (trollish) cats.

Biella Coleman: A User s Guide to Lulzy Media, the Pleasure of Trickery, and the Politics of Spectacle: From the Luddities to Anonymous

One of my favorite conferences is HOPE, which I have missed the last 2 times as I was away from NYC, so I am glad I am around this year. I find it especially valuable when there is some controversy brewing in the air, as there is with Wikileaks, Adrian Lamo, and Manning. I am also giving a talk, description below, with a fabulous postdoctoral researcher, Finn Brunton, who works on spam! But we will be talking about pleasure, trickery, and exploitable media for activists. Our talk is late, like really late: 11:00 PM on Saturday night. At first I was a bit annoyed at the scheduling but then I figured, when will i ever give a talk at 11:00 PM?
Following a brief lecture on Project Chanology, the question will be posed: how can we harness the power of lulzy virality, of pleasure, of trickery, of spectacular trolling for purposes above and beyond sharing the wisdom of Advice Dog? It ll start with a brief look at great activist media in the past, from Guernica and the picture of the whole Earth to projects by the Yes Men - how they spread ideas and helped people get informed, organize, and act. What makes the creation of lulzy memes different? Learn about how to create exploitable forms and rapid variations, and mechanisms for bringing the best stuff forward. Can we make media memes with goals beyond lulz, and teach activists who ve never heard of 4chan to make them too? Part lecture, part workshop, this will feature cameos by Rageguy, Pablo Picasso, V, alt.pave.the.earth, Kathe Kollwitz, Courage Wolf, Stewart Brand, Sarah Palin, Batman, Goya, Philosoraptor, Adolf Hitler, Trollface, Shepard Fairey, Joseph Ducreux, David Cameron, lots of Spartan warriors, and lots and lots of (trollish) cats.

14 July 2010

Biella Coleman: Annual Review of Anthropology on Digital Media

I don t remember how but I remember when I first stumbled on an Annual Review of Anthropology. Reading the first one was like stumbling accidentally into a pirate chest of gold doubloons. I was simultaneously flabbergasted, elated, and somewhat annoyed. I could not believe how helpful of a resource the articles were, how interesting it was to learn about the state of the field (since each review covers one topic) and what a time saver it was in terms of research. I was annoyed only because no one had really properly clued me into its existence and felt like it was one of the things that every graduate student should know about like before they even entered their program. When I got asked to write one a few years ago, a mix of conflicting emotions welled up. I was honored and horrified at the same time for I knew that it would require some of the heaviest lifting I have ever engaged in, which turned out to be the case. I almost quit twice but managed to turn in the first draft on time, before the deadline (thanks to a scheduled trip to NZ). After a parade of months of reading, drafting, and rethinking, the uncorrected proofs are now online on the ARA wesbite (you need library access to fetch it and the link is tiny and on the right hand corner). The corrected proofs will be there in a few months but all the mistakes at this point are typos, although I would check back to get the final copy for the purposes of citation. There is a lot more I want to say about the piece and the process of writing it but I will leave such ruminations for future posts. For now, it suffices to say that with a piece like this, you become a dart board, as my friend cleverly put it the other night. I am sure I have overlooked folks (I was working within very thrifty parameters, 6000 words, 150 citations though I managed to get a bit more) and I could have pushed everything further than I did, though this again was very hard to do given the constraints. I decided in the end to be as inclusive as I could, which meant sacrificing a few lines of thought, which I hope to pick up in the future. The part I like the most is the last bit, where I conclude by with the help of systems administrators and spam.

Biella Coleman: Annual Review of Anthropology on Digital Media

I don t remember how but I remember when I first stumbled on an Annual Review of Anthropology. Reading the first one was like stumbling accidentally into a pirate chest of gold doubloons. I was simultaneously flabbergasted, elated, and somewhat annoyed. I could not believe how helpful of a resource the articles were, how interesting it was to learn about the state of the field (since each review covers one topic) and what a time saver it was in terms of research. I was annoyed only because no one had really properly clued me into its existence and felt like it was one of the things that every graduate student should know about like before they even entered their program. When I got asked to write one a few years ago, a mix of conflicting emotions welled up. I was honored and horrified at the same time for I knew that it would require some of the heaviest lifting I have ever engaged in, which turned out to be the case. I almost quit twice but managed to turn in the first draft on time, before the deadline (thanks to a scheduled trip to NZ). After a parade of months of reading, drafting, and rethinking, the uncorrected proofs are now online on the ARA wesbite (you need library access to fetch it and the link is tiny and on the right hand corner). The corrected proofs will be there in a few months but all the mistakes at this point are typos, although I would check back to get the final copy for the purposes of citation. There is a lot more I want to say about the piece and the process of writing it but I will leave such ruminations for future posts. For now, it suffices to say that with a piece like this, you become a dart board, as my friend cleverly put it the other night. I am sure I have overlooked folks (I was working within very thrifty parameters, 6000 words, 150 citations though I managed to get a bit more) and I could have pushed everything further than I did, though this again was very hard to do given the constraints. I decided in the end to be as inclusive as I could, which meant sacrificing a few lines of thought, which I hope to pick up in the future. The part I like the most is the last bit, where I conclude by with the help of systems administrators and spam.

8 July 2010

Biella Coleman: Debian in the World: Buidling an Institution vs Managing a Crowd

So there are times that I think of course anyone remotely interested in Free Software, virtual projects, and similar endeavors knows about Debian and its strange rituals. I am pretty mistaken, actually. Recently I have attended various events where it has been made clear to me that there are hordes of folks interested in the politics of openness, access, and free software who have heard about Debian but don t really know what it takes, socially and politically, to manage such a project. Luckily I had the chance to spread some of the esoteric knowledge during a talk at MIT for the Knight News Challenge winners and I have received many emails, excited and some surprised about the governance structures of Debian. If interested, here is a video of my talk, which is quite short, so I don t go into as much detail as I would like. There is a great audio quote from a Debian developer, taken from this class visit for which there is a podcast and which I recommend as well. If you can t play flash, you can download the a video of the talk here (look at the right hand side of the page for download link). update: Interesting blog post on Why the open source way trumps the crowdsourcing way that explores some of the issues I raise in the panel talk. I don t think it always trumps open source but it is certainly a niche form of production that is useful in some cases but all too often confused with expert peer production in quite unproductive and empirically wrong ways.

Biella Coleman: Debian in the World: Buidling an Institution vs Managing a Crowd

So there are times that I think of course anyone remotely interested in Free Software, virtual projects, and similar endeavors knows about Debian and its strange rituals. I am pretty mistaken, actually. Recently I have attended various events where it has been made clear to me that there are hordes of folks interested in the politics of openness, access, and free software who have heard about Debian but don t really know what it takes, socially and politically, to manage such a project. Luckily I had the chance to spread some of the esoteric knowledge during a talk at MIT for the Knight News Challenge winners and I have received many emails, excited and some surprised about the governance structures of Debian. If interested, here is a video of my talk, which is quite short, so I don t go into as much detail as I would like. There is a great audio quote from a Debian developer, taken from this class visit for which there is a podcast and which I recommend as well. If you can t play flash, you can download the a video of the talk here (look at the right hand side of the page for download link). update: Interesting blog post on Why the open source way trumps the crowdsourcing way that explores some of the issues I raise in the panel talk. I don t think it always trumps open source but it is certainly a niche form of production that is useful in some cases but all too often confused with expert peer production in quite unproductive and empirically wrong ways.

22 June 2010

Biella Coleman: Wanna Volunteer during Debconf?

Debconf is fast approaching I thought I would pass on some helpful news: some helpful to you all, some more to us. First, a number of volunteers have compiled this astonishingly detailed list of things to do in NYC, including many that are free. Clearly you can come to Debconf and not come to Debconf. We hope you still do, but if you want to sneak out a few times and venture into this city, this is the list to consult. We are also now coordinating our on-site volunteers and perhaps you are interested in pitching in here and there. If you are, here is a list of things we need help with. If you do want to help, you can drop a line on our mailing list (please write [volunteer in the subject line). You can post even if you are not subscribed (although there are times it takes awhile for message approval. Alternatively, you can drop me a note (contact information here and I can pass on the information.

14 June 2010

Biella Coleman: Baby Panda wants YOU to submit to DEBCONF



bad mood destroyer, originally uploaded by the biella.
People s the deadline is fast approaching. Don t worry though, the best ideas come under deadlines and your proposal need not be lengthy. So get those typing hands out and submit a proposal (a few sentences suffices) for a presentation!
The annual Debian conference is being held in NYC this year. First time
setting foot in the imperial empire. Are you doing something related to
free software that might be interesting to share, show off or talk about
at Debconf? I bet you are! We are looking for art installations,
performances, movie screenings, maybe you are wanting to host a
roundtable/panel discussion, coordinate a workshop (you dont have to
know the subject deeply to do this!). I know the deadline is soon, but don t let that scare you. The
submission requirement bar is very low, and we are flexible! here is the submission information: [1] ********************* Calling all potential contributors to DebConf10! One more week until
the final submission deadline! The DebConf team is excited to announce that we are now accepting
proposals for contributions to this year s Debian conference! We
invite you to submit proposals for how you would contribute until the
deadline: soon There are many ways you can contribute, you could present a technical
paper, host a panel discussion, put on a tutorial, do a performance,
an art installation, a debate, host a meeting (BoFS, or Birds of a
Feather Session), or other possibilities that you devise. This year we
are also accepting proposals for tracks=E2=80=94a thematic grouping around a
particular subject, and people to coordinate those tracks. If you are
looking for ideas of things that you could contribute, or have ideas
for things that you would like to see happen at DebConf, have a look
at the Contribution Brainstorm[0] page. DebConf talks will be broadcast live on the Internet where possible,
unless otherwise requested. Videos of the talks will be published on
the web along with the presentation slides and papers. =3D=3D Step 1. Submit Proposal =3D=3D Proposals should provide an overview of your proposed contribution,
similar to an abstract, and be no more than 600 words. Since
contributions can cover a range of issues, please describe what your
proposal covers, be it political (Free Software, law, advocacy,
access, etc.), technical (d-i, OpenPGP, etc.), social (Debian
structures and groups). It s okay to hit all three of these. Your
proposal should also include some information on why you re qualified
to present, or coordinate this topic. For example, you can include
links to posts you have made to Debian mailing lists or other material
that indicates your qualifications. Proposals and their abstracts will
be accepted until May 1st, 2010, 23h59 UTC. To submit your proposal, go to Penta[1] and register as an
attendee. Once you are registered, there is a Submit a proposal
link. You will see your proposal on the site. You can choose between
different presentation types. If you are unsure what type you should
use, please read our glossary of definitions[2]. If it s not there for
some reason, or you have questions, please contact us immediately at
mailto:talks@debconf.org. =3D=3D Step 2. Committee Review =3D=3D The review committee for this year will make its decision by May 1st,
2010. All correspondence will be done by email. =3D=3D Step 3. Paper Submission =3D=3D Like last year, we are asking for papers to be submitted along with
the presentations. A full paper is optional, however we strongly
encourage you to submit one if possible as we intend to provide
written information along with transcripts of the sessions for later
viewing. Having written papers in advance will allow us to get
translations done to help non-native-English speakers feel more
comfortable with the topics presented. Papers are due by July 1st,
2010, and should cover the topic in reasonable depth (3 pages A4 text,
plus pictures and diagrams). We will use LaTeX to typeset the
proceedings. Please submit your paper formatted in LaTeX. Should you
be unfamiliar with LaTeX earlier submission in plain text is also
fine. =3D=3D Step 4. Live Presentation =3D=3D Longer presentations may have a break in the middle and should include
workshop items that directly involve the participants. If using slides
or any other presentation, please consider that your audience will
consist of people who use free software, and your choice of
application to prepare and display the slides should reflect this if
at all possible. =3D=3D Fine Print Publication Rights =3D=3D DebConf requires non-exclusive publication rights to papers,
presentations, and any additional handouts or audio/visual materials
used in conjunction with the presentation. The authors have the
freedom to pick a DFSG-free license for the papers themselves and
retain all copyrights. The presentations will be recorded, and may be
broadcast over the Internet. Any copies of the presentation will be
made available =3D=3D Failure to Submit =3D=3D In the event that a deadline is missed we reserve the right to revoke
any offer to present. =3D=3D About DebConf =3D=3D The annual DebConf conference is a technical and social forum for
Debian developers, sponsors, affiliates, and friends. It allows
various groups within Debian a chance to come together, network, and
share their work. Until we see you in the big city,
DebConf Talks Team [1] introduction written by Micah Anderson

11 May 2010

Biella Coleman: The end of a (V)era

The end of (V)era I did not think this day would come anytime soon. When the time came when the time came for my mom to pass on I thought I would be not only be accepting and ready but would welcome it with open arms. After a decade with Alzheimers, after two years bound in bed, and after months of barely able to sculpt even a word, I thought I was ready to see my mom breathe her last breath. But when the end came, the surprise, shock, and sadness were unmistakably there and I was silently urging my mother to keep fighting to breathe. In the end, it was her lungs that took her from this life as most everything else was still running smoothly and strong. She smoked like a chimney, so when she got pneumonia in late April, her diminished lung capacity made it hard for her to breathe, to get the oxygen needed to be present. But I expected a full recovery as she had reacted almost immediately and positively to the antibiotic treatment. She was still physically strong as a horse, for example, during this hospital stay, three of us had to hold her down when we did various tests. But one day to the next her blood pressure plummeted. Since I was unaware of this, I thought she was just (and finally) sleeping deeply after two days of barely doing so. After 8 hours of barely moving, the nurse let me know that in fact her vital signs were dim as were her chances of living. That evening, I crawled into bed with her for one last night together. Finally the next morning, as I was stroking her face, I witnessed her final breath. This is what I read at her service.

Biella Coleman: The end of a (V)era

The end of (V)era I did not think this day would come anytime soon. When the time came when the time came for my mom to pass on I thought I would be not only be accepting and ready but would welcome it with open arms. After a decade with Alzheimers, after two years bound in bed, and after months of barely able to sculpt even a word, I thought I was ready to see my mom breathe her last breath. But when the end came, the surprise, shock, and sadness were unmistakably there and I was silently urging my mother to keep fighting to breathe. In the end, it was her lungs that took her from this life as most everything else was still running smoothly and strong. She smoked like a chimney, so when she got pneumonia in late April, her diminished lung capacity made it hard for her to breathe, to get the oxygen needed to be present. But I expected a full recovery as she had reacted almost immediately and positively to the antibiotic treatment. She was still physically strong as a horse, for example, during this hospital stay, three of us had to hold her down when we did various tests. But one day to the next her blood pressure plummeted. Since I was unaware of this, I thought she was just (and finally) sleeping deeply after two days of barely doing so. After 8 hours of barely moving, the nurse let me know that in fact her vital signs were dim as were her chances of living. That evening, I crawled into bed with her for one last night together. Finally the next morning, as I was stroking her face, I witnessed her final breath. This is what I read at her service.

Biella Coleman: Means and Ends Must Match (and it is already limited btw)

Would you hit it? (by which I mean would you go to this conference?). The title is Limiting Knowledge in a Democracy and check out the list of speakers. Wait a minute, are there just 2 Women listed out of 27 (7.4%)? The conference boldly states and asks:
There is no question that the free access to knowledge and information are the bedrock of all democratic societies, yet no democratic society can function without limits on what can be known, what ought to be kept confidential and what must remain secret. The tension among these competing ends is ever present and continuously raises questions about the legitimacy of limits. What limits are necessary to safe guard and protect a democratic polity? What limits undermine it?
An answer (in the form of action) is simple. Form must meet function, means must match ends or else these questions strike me as terribly hollow. Start at the start and then ask some questions.

Biella Coleman: Means and Ends Must Match (and it is already limited btw)

Would you hit it? (by which I mean would you go to this conference?). The title is Limiting Knowledge in a Democracy and check out the list of speakers. Wait a minute, are there just 2 Women listed out of 27 (7.4%)? The conference boldly states and asks:
There is no question that the free access to knowledge and information are the bedrock of all democratic societies, yet no democratic society can function without limits on what can be known, what ought to be kept confidential and what must remain secret. The tension among these competing ends is ever present and continuously raises questions about the legitimacy of limits. What limits are necessary to safe guard and protect a democratic polity? What limits undermine it?
An answer (in the form of action) is simple. Form must meet function, means must match ends or else these questions strike me as terribly hollow. Start at the start and then ask some questions.

30 April 2010

Biella Coleman: Baby Panda wants YOU to submit to DEBCONF



bad mood destroyer, originally uploaded by the biella.
People s the deadline is fast approaching. Don t worry though, the best ideas come under deadlines and your proposal need not be lengthy. So get those typing hands out and submit a proposal (a few sentences suffices) for a presentation! The annual Debian conference is being held in NYC this year. First time
setting foot in the imperial empire. Are you doing something related to
free software that might be interesting to share, show off or talk about
at Debconf? I bet you are! We are looking for art installations,
performances, movie screenings, maybe you are wanting to host a
roundtable/panel discussion, coordinate a workshop (you dont have to
know the subject deeply to do this!). I know the deadline is soon, but don t let that scare you. The
submission requirement bar is very low, and we are flexible! here is the submission information: [1] ********************* Calling all potential contributors to DebConf10! One more week until
the final submission deadline! The DebConf team is excited to announce that we are now accepting
proposals for contributions to this year s Debian conference! We
invite you to submit proposals for how you would contribute until the
deadline: soon There are many ways you can contribute, you could present a technical
paper, host a panel discussion, put on a tutorial, do a performance,
an art installation, a debate, host a meeting (BoFS, or Birds of a
Feather Session), or other possibilities that you devise. This year we
are also accepting proposals for tracks=E2=80=94a thematic grouping around a
particular subject, and people to coordinate those tracks. If you are
looking for ideas of things that you could contribute, or have ideas
for things that you would like to see happen at DebConf, have a look
at the Contribution Brainstorm[0] page. DebConf talks will be broadcast live on the Internet where possible,
unless otherwise requested. Videos of the talks will be published on
the web along with the presentation slides and papers. =3D=3D Step 1. Submit Proposal =3D=3D Proposals should provide an overview of your proposed contribution,
similar to an abstract, and be no more than 600 words. Since
contributions can cover a range of issues, please describe what your
proposal covers, be it political (Free Software, law, advocacy,
access, etc.), technical (d-i, OpenPGP, etc.), social (Debian
structures and groups). It s okay to hit all three of these. Your
proposal should also include some information on why you re qualified
to present, or coordinate this topic. For example, you can include
links to posts you have made to Debian mailing lists or other material
that indicates your qualifications. Proposals and their abstracts will
be accepted until May 1st, 2010, 23h59 UTC. To submit your proposal, go to Penta[1] and register as an
attendee. Once you are registered, there is a Submit a proposal
link. You will see your proposal on the site. You can choose between
different presentation types. If you are unsure what type you should
use, please read our glossary of definitions[2]. If it s not there for
some reason, or you have questions, please contact us immediately at
mailto:talks@debconf.org. =3D=3D Step 2. Committee Review =3D=3D The review committee for this year will make its decision by May 1st,
2010. All correspondence will be done by email. =3D=3D Step 3. Paper Submission =3D=3D Like last year, we are asking for papers to be submitted along with
the presentations. A full paper is optional, however we strongly
encourage you to submit one if possible as we intend to provide
written information along with transcripts of the sessions for later
viewing. Having written papers in advance will allow us to get
translations done to help non-native-English speakers feel more
comfortable with the topics presented. Papers are due by July 1st,
2010, and should cover the topic in reasonable depth (3 pages A4 text,
plus pictures and diagrams). We will use LaTeX to typeset the
proceedings. Please submit your paper formatted in LaTeX. Should you
be unfamiliar with LaTeX earlier submission in plain text is also
fine. =3D=3D Step 4. Live Presentation =3D=3D Longer presentations may have a break in the middle and should include
workshop items that directly involve the participants. If using slides
or any other presentation, please consider that your audience will
consist of people who use free software, and your choice of
application to prepare and display the slides should reflect this if
at all possible. =3D=3D Fine Print Publication Rights =3D=3D DebConf requires non-exclusive publication rights to papers,
presentations, and any additional handouts or audio/visual materials
used in conjunction with the presentation. The authors have the
freedom to pick a DFSG-free license for the papers themselves and
retain all copyrights. The presentations will be recorded, and may be
broadcast over the Internet. Any copies of the presentation will be
made available =3D=3D Failure to Submit =3D=3D In the event that a deadline is missed we reserve the right to revoke
any offer to present. =3D=3D About DebConf =3D=3D The annual DebConf conference is a technical and social forum for
Debian developers, sponsors, affiliates, and friends. It allows
various groups within Debian a chance to come together, network, and
share their work. Until we see you in the big city,
DebConf Talks Team [1] introduction written by Micah Anderson

26 April 2010

Biella Coleman: Progress Island!

For like the millionth time, I am back in Puerto Rico, AKA Progress Island, at least according to MST 3000. My mom came down with severe pneumonia and I am waiting it out until she is more stable. Today, my friend forwarded the MST 3000 video as she suspected it would cheer me up and she was right. I have not seen anything so fine in a long time. If you know nothing of PR-America relations, it won t be (that) funny but if you do, it is sharp as a nail. Oh and the 70s music adds a real nice almost porn-like touch. Make sure to watch part two so you can sugar frost your damn corn flakes, you filfthy American pigs!

Biella Coleman: Progress Island!

For like the millionth time, I am back in Puerto Rico, AKA Progress Island, at least according to MST 3000. My mom came down with severe pneumonia and I am waiting it out until she is more stable. Today, my friend forwarded the MST 3000 video as she suspected it would cheer me up and she was right. I have not seen anything so fine in a long time. If you know nothing of PR-America relations, it won t be (that) funny but if you do, it is sharp as a nail. Oh and the 70s music adds a real nice almost porn-like touch. Make sure to watch part two so you can sugar frost your damn corn flakes, you filfthy American pigs!

20 April 2010

Biella Coleman: On Internet Punditry and Engendering Change

One day a very well known Internet theorist writes a rant on women. The rant generates controversy, controversy lands theorist on WYNC on the media , despite the fact the he does not really work on the politics of gender. If this is so, why then give him more air time and focus on the NPR show? There are three lessons that precipitate from this social fact that are worth highlighting: 1.The fact that NPR chose him to pontificate and not a woman nullifies Shirky s thesis that behavior is one of the most important factors in keeping women behind, unless of course NPR asked a bunch of women but they were too meek to be on the air (not likely). If they wanted to keep the star power that is Shirky, the very least they could have done is had a woman respond. The solutions to get more women in the limelight are so easy to implement but they do require some thoughtfulness and foresight. 2.So what I am saying, it is about networks and Shirky, isn t he a theorist of networks and behavior? It seems to be to more controversial, he really did not address how important networks are for the politics of visibility, instead he focused on individual behavior. If famous highly networked folks, most of them men, don t highlight women in their blog posts, their twitter feeds, and don t invite them to conferences, it is going to make very little difffernce whether a woman is meek or confident. So if there are more guys that are visible, which is certainly the case, it is as much their job to help engender change, not so much by pontificating but acting. 3. I realized that though I first thought his rant was a reflection of his personality (at least his public persona, I am sure he is a nice guy), in fact the rant is valuable to an anthropologist interested in digital media because it is an auto-ethnographic snapshot of web 2.0 punditry culture. It often comes across as smarmy and snarky, which is due in part, to how difficult it is to get your message heard in the sea of many voices. Just like there is an aesthetic of audaciousness in a lot of Internet memeology, for example, the pundits too must often act in extreme ways to get attention which might inf fact be one of the reasons why they are reluctant to share the stage once they have worked hard to get there.

Biella Coleman: On Internet Punditry and Engendering Change

One day a very well known Internet theorist writes a rant on women. The rant generates controversy, controversy lands theorist on WYNC on the media , despite the fact the he does not really work on the politics of gender. If this is so, why then give him more air time and focus on the NPR show? There are three lessons that precipitate from this social fact that are worth highlighting: 1.The fact that NPR chose him to pontificate and not a woman nullifies Shirky s thesis that behavior is one of the most important factors in keeping women behind, unless of course NPR asked a bunch of women but they were too meek to be on the air (not likely). If they wanted to keep the star power that is Shirky, the very least they could have done is had a woman respond. The solutions to get more women in the limelight are so easy to implement but they do require some thoughtfulness and foresight. 2.So what I am saying, it is about networks and Shirky, isn t he a theorist of networks and behavior? It seems to be to more controversial, he really did not address how important networks are for the politics of visibility, instead he focused on individual behavior. If famous highly networked folks, most of them men, don t highlight women in their blog posts, their twitter feeds, and don t invite them to conferences, it is going to make very little difffernce whether a woman is meek or confident. So if there are more guys that are visible, which is certainly the case, it is as much their job to help engender change, not so much by pontificating but acting. 3. I realized that though I first thought his rant was a reflection of his personality (at least his public persona, I am sure he is a nice guy), in fact the rant is valuable to an anthropologist interested in digital media because it is an auto-ethnographic snapshot of web 2.0 punditry culture. It often comes across as smarmy and snarky, which is due in part, to how difficult it is to get your message heard in the sea of many voices. Just like there is an aesthetic of audaciousness in a lot of Internet memeology, for example, the pundits too must often act in extreme ways to get attention which might inf fact be one of the reasons why they are reluctant to share the stage once they have worked hard to get there.

15 April 2010

Biella Coleman: Cultural Cornucopia

Today all across America, many are experiencing a soft form of hell, anxiety, and constant cursing for it is tax day. Thankfully last night I squared those away (more or less). Today is also the last day to register forDebconf sponsored registration. Even if there is a chance you can t make it, it is worth filling out the form just in case. For those spending a little extra time in NYC or planning on sneaking out to take a whirl in the city, here are some more fun options. NYC is known to be a cultural cornucopia of sorts and one reason are the many museums. I just found a twitter list listing those museums with a feed. Probably one of my favorite museums is located in the far north of Manhattan, the Cloisters. It is a haven, an oasis with small beautiful gardens, as well large stone rooms and buildings filled with medieval art, tapestry, and manuscripts. If you need to get away from people, chatter, and computers, this might be a good place to visit. Museums are easy enough to find but there are other spots in NYC that may be a little harder to spot. If you want to hit Chinatown for dim sum, I would recommend Jing Fong, which is mind blowing largely because of its LARGE (like there are escalators that take you up) room, which gets pretty darn packed on the weekend. If you want something that involves not just food but involves sweat, water, food, sun, hot rocks, body scrubs, funny looking pink, orange and blue uniforms and all in a cross-cultural context, then Spa Castle is the place to go to. Just check out the website and you will see what I am talking about. It s family friendly, has a cornucopia of saunas (filled with jade, gold, ice, Tibetan bricks), some decent Korean food, among many other attractions. In general is one of the best deals in NY.

Biella Coleman: Cultural Cornucopia

Today all across America, many are experiencing a soft form of hell, anxiety, and constant cursing for it is tax day. Thankfully last night I squared those away (more or less). Today is also the last day to register forDebconf sponsored registration. Even if there is a chance you can t make it, it is worth filling out the form just in case. For those spending a little extra time in NYC or planning on sneaking out to take a whirl in the city, here are some more fun options. NYC is known to be a cultural cornucopia of sorts and one reason are the many museums. I just found a twitter list listing those museums with a feed. Probably one of my favorite museums is located in the far north of Manhattan, the Cloisters. It is a haven, an oasis with small beautiful gardens, as well large stone rooms and buildings filled with medieval art, tapestry, and manuscripts. If you need to get away from people, chatter, and computers, this might be a good place to visit. Museums are easy enough to find but there are other spots in NYC that may be a little harder to spot. If you want to hit Chinatown for dim sum, I would recommend Jing Fong, which is mind blowing largely because of its LARGE (like there are escalators that take you up) room, which gets pretty darn packed on the weekend. If you want something that involves not just food but involves sweat, water, food, sun, hot rocks, body scrubs, funny looking pink, orange and blue uniforms and all in a cross-cultural context, then Spa Castle is the place to go to. Just check out the website and you will see what I am talking about. It s family friendly, has a cornucopia of saunas (filled with jade, gold, ice, Tibetan bricks), some decent Korean food, among many other attractions. In general is one of the best deals in NY.

7 April 2010

Biella Coleman: Nameless, Freak, Phreak

So I tend to focus on the cultural present but during grad school it was hammered into my brain that to understand the contemporary moment, history matters, a lot.. The problem with hacking and related activities is that the history is a bit sparse and fragmented. Recently I have been working on a piece that examines some of the aesthetics similarities between phrakers, underground hackers, and trollers and it sort of hit me that I had no idea when the term phreak or freak came into being. So I dropped a note to Phil Lapsely who is writing (finally) a proper history of phreaking and he was thoughtful enough to pen down a genealogy of the term.

Next.

Previous.